Miller’s obvious ad-libs - but character actions speak louder than words. The sparse dialogue turned in by the screen scribe is pure throwaway - exception: T.J. Without knowing more, maybe that’s how Underwater gets away with so much on so little. ![]() If you watch the extras for Crawl, ridiculous subplots and unfilmed scenes were cut that would have ruined it, so losing those bits was a boon. Borrowing opening and closing credit elements from the recent Godzilla films to seed possibilities without specifics and edited to the bone for a trim running time, this fun time-waster is good enough for a matinee if only by using what it steals better than the films it stole from. It feels like the first fifteen minutes of a typical who’s-gonna-die setup are missing, cutting straight to exactly where the trailer suggests: everything crashing down around Ms. While not exactly up to that kind of intimate thriller, Underwater manages to do what it does well enough. Last year’s Crawl was an above-average aquatic disaster-thriller featuring hurricane-proof Florida gators, and their little lizard minds were far from football. Jackson whole? As an action vehicle for Kristen Stewart and some mindless popcorn fun, is there any chance combining elements used throughout previous ocean-delving fare will result in something more than its waterlogged derivative parts? Remember Deep Blue Sea coming out ten years later and devouring Samuel L. Anyone familiar with the 1989 films DeepStar 6 and Leviathan will recognize the elements: isolated underwater location, women in wet and/or tiny clothes, and something outside trying to get in. As the survivors make their way, it becomes obvious what happened to the station was neither geological nor a mechanical failure… and it’s not done yet.Īs the January post-awards dumping ground part of the new year, having no big tent-pole films coming out can let a hard-to-define movie get some love it might otherwise miss. Without any working escape pods, the captain of the expedition (Vincent Cassel) pitches a desperate plan: descend to the ocean floor in deep-dive suits designed for routine outside repairs and get to another section of the miles-long facility in hopes of rescue. Norah (Kristen Stewart) barely survives, temporarily saving the station for a handful of survivors. ![]() ![]() Seven miles down to the deepest depths of the Earth’s oceans, a futuristic mining colony crewed with 316 personnel starts to come apart. The biggest sci-fi disaster adventure creature flick of 2020… thus far.
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